The Acts (2026)

Friday 23 – Saturday 24 January 2026, 8pm

The Weston Studio, Bristol Old Vic

About


The Acts is a gathering of four daring new works from some of the UK’s most exciting disabled theatre makers.

Caitlin Magnall Kearns weaves a love story of desire, guilt, and aging with tender humour in The Ache of It; Kathrine Payne’s dark comedy body job follows two lovers as they collide and unravel, exploring the growing phenomenon of lonely deaths in the UK and the tangled realities of shame, labour, and love; Tatum Swithenbank conjures REALMS, a spell-like journey through folklore, disability, and magick; and SO SHA invites us into Pruu the Pidj, a music-led ritual about survival, softness, and finding home in unlikely places.

In a cultural moment that asks disabled artists to fit into neat boxes, The Acts asks what happens when we refuse. When we choose mess, ritual, pleasure, grief, humour, and grit. When we make art on our own terms.

The Acts comes to the Bristol Old Vic for two nights on Friday 23 and Saturday 24 January 2026.


Act 1

Tatum Swithenbank brings REALMS, a genre-bending journey through ritual, disability, folklore, and magick. Guided by mythic creatures and grounded in pagan sabbats, the show casts a spell on life, death, belonging, and the portals between body and spirit, memory and myth.

Act 2

Caitlin Magnall Kearns presents The Ache of It, set in a seaside B&B in Northern Ireland. Simon, a married cab driver with osteoarthritis, and Fiona, a fat, bisexual widow, navigate a decade-long affair. The piece centres disabled, fat bodies in a tender, funny, and honest exploration of desire, guilt, aging, and care.

Act 3

Kathrine Payne’s body job follows two cleaners at a death site alongside two lovers who collide and unravel in a cramped flat. As “lonely deaths” rise in the UK, this visceral work probes disconnection, shame, labour, and the messy realities of bodies and love.

Act 4

SO SHA shares Pruu the Pidj, a music-led ritual inspired by a pigeon building a nest on anti-pigeon spikes. Blending story, rhythm, and raw tenderness, it charts survival, sobriety, and being unhoused, creating a gentle, alive space for grief, humour, breath, and becoming at home in oneself.

Writers & Performers


A head and shoulders picture white femme presenting person with shoulder length brown curly hair. They're wearing a leopard print dress.

Caitlin Magnall Kearns

Writer: The Ache of It

Tatum Swithenbank

Writer & Performer: REALMS

SO SHA

Writer & Performer: Pruu the Pidj

A headshot of Kathrine, a white nonbinary person with no hair, a nose ring, and hoop earrings

Kathrine Payne

Writer: body job

Georgi Arthur

Performer: The Ache of It & body job

Nathan Patterson

Performer: The Ache of It & body job

CRIPtic Favicon. A C in a black circle.

Natasha Trantom

BSL Performance Interpreter

EM Williams

Performer: body job

Peyvand Sadeghian

Performer: body job

Creative Team


Jamie Hale

Director

Caitlin Richards

Producer

Jack Wakely

Development Producer

Rudzani Moleya

Movement Director

Miggy Barker

Assistant Director

Roshan Conn

Stage Manager

Ryan Webster

Set, Props & Costume Designer

Carly Altberg

Lighting Designer

Oliver Vibrans

Sound Designer

Edalia Day

Creative Caption Designer

Luke Rogers

Project Manager and Assistant to Jamie Hale

Meg Terzza

Marketing Officer

Daryl Jackson

BSL Consultant

Foxy Direction

Intimacy Director

Michelle Wood

BSL Interpreter

Jemima Hoadley

BSL Interpreter

Jo Wood

BSL Interpreter

A Closer Look…


Our show artwork was created by Rachel Gadsden – take a closer look at each piece below.
A brightly coloured pigeon with blue and purple brush strokes. Behind them stands a housing block with a yellow and white orb hanging in a dark night sky. In front of the pigeon are sharp spikes of black and pink, with mixed media scattered around including string, rollerblades, and distorted words printed.

Pruu the Pidj

SO SHA

A grey and brown wolf burst from swirls of brown watercolour. Their face holds a snarl of white teeth and bright yellow eyes.

REALMS

Tatum Swithenbank

A scene of a bedroom with lush pillows on the bed and two suitcases stacked in front. The colours are abstract, saturated and bold, with pinks and blues, purples and greens, yellow and oranges all bouncing off each other.

The Ache of It

Caitlin Magnall-Kearns

The fourth and final painting features a detailed fly with blue and green glistening body and large red eyes in a decaying and filthy bedroom.

body job

Kathrine Payne

Supported by


Funded by Arts Council England
Bristol Old Vic logo - white text on transparent background