NEWS AND UPDATES (page 4)


What’s on at CRIPtic

A graphic comprising of a black and white image on a grey background with text in a repeated pattern and two logos. The image is of Theo Angel in rehearsals. Theo, a mixed-race person with pale skin, freckles, short, very curly hair and dark features, is in their manual wheelchair. They hold their hands above their head, mapping out an invisible web. They smile as they look at their right hand. Behind their image is a digitally imposed bright blue drop shadow, with a repeated pattern text reading “Funded by youth music”. The two logos are of CRIPtic Arts and Youth Music Shift the Scene.

CRIPtic Arts Secures Funding to improve access to the arts and creative industries for disabled young people.

CRIPtic Arts are delighted to announce that we’re now supported by Youth Music’s Shift the Scene Fund, which champions inclusive, ambitious creativity across all art forms. This support means more time, space… Continue reading…

Jamie Hale talking to a team member in a theatre.

Winning an OFFIE doesn’t erase the disadvantages disabled directors face

By CRIPtic Arts Artistic Director, Jamie Hale. This year, myself, Marcella Rick and Claire Beerjeraz were awarded an OFFIE for staging for our work on Transpose:SUBVERSE, partially produced by CRIPtic. As a… Continue reading…

Tatum, a non-binary person, sits in a spotlight, their back to the camera.

CRIPtic 2026 Artist Development Programme

In 2026, CRIPtic Arts will once again deliver four artist development programmes, Reach, Launchpad, Breakthrough and Incubate. Each project is designed to support disabled creatives at different stages in their career, from… Continue reading…

LEARNING AND REFLECTIONS

Front Row: Theatres re-opening & online work

Front Row: Theatres re-opening & online work

Last week, I (Jamie) was on Front Row. This was to discuss the reopening of theatres and who that leaves behind. There, I was able to emphasise that the closing down of opportunities for people to see shows online was going to affect far more than just disabled people.

It’s pretty gutting to slowly see shows and opportunities and possibilities disappearing, but I don’t think things are completely bleak. While theatres stream fewer shows online than at the ‘height of the pandemic’, there is definitely more than there was before the pandemic. Furthermore, the skills, knowledge, and equipment still exist.

Online theatre is an access issue for lots of groups. This includes geographically dispersed people, people with parenting and caring responsibilities, people who cannot sit through a whole show, and people who cannot afford live theatre. Losing it is something we need to unite to fight against:

To hear me on Front Row, click here [link] – 17:26-19:22 , and there is a transcript below: