The Crip Monologues
While we’ve been plugging away at a wide range of projects here at CRIPtic – from the NOT DYING soundtrack to workshops on writing and staging solo work. We are very excited… Continue reading…
BEING HYBRID: an easy guide to hybrid events
To read more about Being Hybrid, click here. To access it in a range of other formats, click here Why are you launching Being Hybrid? I keep having the same conversation over… Continue reading…
The Disablism of Age Barriers in the Arts
At their heart, most age barriers in the arts are disableist. They create barriers that prevent disabled people having equity of access to opportunities. Their assumption that age is representative of life-stage,… Continue reading…
News and updates
What’s on at CRIPtic
Deaf Performer for The Acts 2024
We’re looking for a Deaf performer for an upcoming show called The Acts, which will be at The Pit Theatre at the Barbican Centre in November 2024. Fee: £2,100, plus hotels, transport,… Continue reading…
Reflections from our Artistic Director on 2024 Artist Development Applications
One of my favourite parts of the CRIPtic year is reviewing the applications for our programmes – and one of the hardest parts of the year is selecting people to take up… Continue reading…
Featuring Katherine Castellucci
This year at CRIPtic we’ve had the privilege of hosting the disabled performer and activist Katherine Castellucci as an intern. She joined us as a placement as part of her BA Acting… Continue reading…
LEARNING AND REFLECTIONS
Featuring Katherine Castellucci
This year at CRIPtic we’ve had the privilege of hosting the disabled performer and activist Katherine Castellucci as an intern.…
Podcast: Disability and… CRIPtic Arts, with Jamie Hale
Our friends at Disability Arts Online have just released episode 57 of their “Disability and…” podcast, and this episode features…
Dynamic Creatives: Understanding the Investment Principles
Our friends at Disability Arts Online have been working on some fantastic videos about Arts Council England, including one on…
Focus Groups: Lessons Learned from our Audience
Earlier this summer, at CRIPtic, we held two focus groups. One was for disabled cultural workers from the global majority.…
Black Out Nights: The magic of live theatre
The magic of theatre is its nature as in live performance; both for audiences, and for performers. You spend weeks…
