There’s a wealth of technology out there and lots of different tools that promise to make your life easier as a disabled creative but which ones should you pick? As CRIPtic Arts…
Resources
Annual Report 2021-22
Over our first year as a CIC, between July 2021 and 2022 CRIPtic Arts has emerged as a leading voice providing opportunities to disabled creatives across the UK. There are few accessible…
BEING HYBRID: an easy guide to hybrid events
To read more about Being Hybrid, click here. To access it in a range of other formats, click here Why are you launching Being Hybrid? I keep having the same conversation over…
Being Hybrid Summary
This is a summary of our guide to hybrid events. It has been written in Plain English.
Being Hybrid
A guide to running hybrid events as cheaply and easily as possible.
Accessible Finance: Budgeting for Access
Budget. It’s a word that strikes fear into the hearts of many people trying to work out how to make affordable work, sustainable work, and accessible work. When I got my head…
Social Media, Promotion, Networking and PR
As a writer working across forms – drama, fiction, non-fiction; not to mention non-writing work like speaking engagements, facilitation, and other things that occupy some kind of nebulous “creative” space but aren’t…
Creative Captioning with Samuel Dore
My first blog for CRIPtic was on audio description and how it can be used as a creative tool; I left feeling energised and inspired to create work which truly integrates audio…
3 resources to help you integrate British Sign Language into your performance with David Ellington
It’s one thing providing access; it’s another embedding it into your performance. In the case of British Sign Language (BSL) interpretation, artists are finding creative ways to integrate sign language into an…
Arts Council England Funding for d/Deaf & disabled artists
In the most recent CRIPtic workshop, the focus was on Arts Council funding – how to get it, what to do with it. I’ve applied for ACE funding before – both times…
