NEWS AND UPDATES (page 4)


What’s on at CRIPtic

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Reflections from our Artistic Director on 2024 Artist Development Applications

One of my favourite parts of the CRIPtic year is reviewing the applications for our programmes – and one of the hardest parts of the year is selecting people to take up… Continue reading…

Katherine Castellucci's headshot. A white woman with long, dark brown, wavy hair is wearing three silver hoop nose rings, and two silver necklaces. One necklace is a thick chain, and the other is a thin chain with a silver heart pendant. She is looking at the camera with a stern expression.

Featuring Katherine Castellucci

This year at CRIPtic we’ve had the privilege of hosting the disabled performer and activist Katherine Castellucci as an intern. She joined us as a placement as part of her BA Acting… Continue reading…

A picture of Jamie Hale against a blurred outdoor background. They are white, with dark red hair and a dark red beard. Their electric wheelchair headrest is behind their head, and they are wearing a blue denim jacket

Podcast: Disability and… CRIPtic Arts, with Jamie Hale

Our friends at Disability Arts Online have just released episode 57 of their “Disability and…” podcast, and this episode features Jamie Hale and the work we’re doing at CRIPtic. From our earliest… Continue reading…

LEARNING AND REFLECTIONS

Front Row: Theatres re-opening & online work

Front Row: Theatres re-opening & online work

Last week, I (Jamie) was on Front Row. This was to discuss the reopening of theatres and who that leaves behind. There, I was able to emphasise that the closing down of opportunities for people to see shows online was going to affect far more than just disabled people.

It’s pretty gutting to slowly see shows and opportunities and possibilities disappearing, but I don’t think things are completely bleak. While theatres stream fewer shows online than at the ‘height of the pandemic’, there is definitely more than there was before the pandemic. Furthermore, the skills, knowledge, and equipment still exist.

Online theatre is an access issue for lots of groups. This includes geographically dispersed people, people with parenting and caring responsibilities, people who cannot sit through a whole show, and people who cannot afford live theatre. Losing it is something we need to unite to fight against:

To hear me on Front Row, click here [link] – 17:26-19:22 , and there is a transcript below: