This year, CRIPtic Arts moved into our second year as a Community Interest Company, and focused heavily on stabilising ourselves as an organisation, applying for the funding we wanted to manage ongoing…
Category: News and Updates (page 2)
Annual Report 2021-22
Over our first year as a CIC, between July 2021 and 2022 CRIPtic Arts has emerged as a leading voice providing opportunities to disabled creatives across the UK. There are few accessible…
The Crip Monologues: Writers Commission Q&A Summary
On Friday 13 October, we held a Q&A for writers interested in pitching for our new commissioning opportunity, The Crip Monologues. Here’s what we discussed. What is The Crip Monologues? The Crip…
Connect Through Creativity: Creating spaces for, with and by the community
By Alice Christina-Corrigan My name is Alice Christina-Corrigan and I am the Community Programme Officer at CRIPtic Arts, producing a year long programme of online creative workshops in partnership with Scope, for…
Pay Transparency
Pay transparency for freelance work The arts sector is notoriously opaque about pay for freelancers, and pay for freelance work varies wildly. One of the findings from the focus group we held…
Focus Groups: Lessons Learned from our Audience
Earlier this summer, at CRIPtic, we held two focus groups. One was for disabled cultural workers from the global majority. The other was for people facing specific access barriers. This includes people…
CRIPtic Artists 2023/24 Work In Progress Sharing
On Thursday 28 September 2023, CRIPtic Arts presents a unique opportunity to get a sneak peek at what artists on their 2023/24 development programmes have been working on. Over Zoom, members of…
Black Out Nights: The magic of live theatre
The magic of theatre is its nature as in live performance; both for audiences, and for performers. You spend weeks or months creating an alchemy in the rehearsal room. The confrontation between…
Call out for disabled writers!
CRIPtic is looking to connect with published disabled writers for upcoming paid events as part of our Connect Through Creativity activities. As part of this we are specifically looking to work with global…
Should inaccessible art be made?
Should inaccessible art be made? And what are the minimum acceptable standards for audience accessibility in the arts?
